At the animation institute, this mini-film was an exercise for animation techniques like particles, lighting or distruction simulation for Benjamin Gätzschmann and his team. Randomly I came along and became a part of it, exercising new sound design and spatialisation techniques. Just 40 seconds long this film has nearly 500 soundtracks, hundreds of highly detailed soundeffects and a complex dolby atmos system.

It was a great opportunity to expand the ways of sounddesign and to practise cinematic sound mix with monsters and destruction.